Scandinavian Design Awards for Architecture of the Year, 2023 ījarke Ingels David Zahle Ole Elkjær-Larsen Agnieszka Wardzińska Alexander Jacobson Andrea Hektor Andy Coward Ariana Ribas Ariana Szmedra Bjarke Koch-Ørvad Camille Breuil Cæcilie Søs Brandt-Olsen Claudia Bertolotti Duncan Horswill Eduardo Javier Sosa Trevino Eva Seo-Andersen Ewa Zapiec Filip Fot Frederic Lucien Engasser Frederik Skou Jensen Jens Majdal Kaarsholm Jesper Kanstrup Petersen Julia Novaes Tabet Julien Bernard Jacques Picard Julius Victor Schneevoigt Kaoan Hengles De Lima Katrine Juul Katrine Sandstrøm Kristoffer Negendahl Ksenia Zhitomirskaya Luca Pileri Magni Waltersson Miles Treacy Nanna Gyldholm Møller Neringa Jurkonyte Ningnan Ye Palita Tungjaroen Paula Madrid Rron Bexheti Steen Kortbæk Svendsen Thor Larsen-Lechuga Tobias Hjortdal Tommy Bjørnstrup Tore Banke Tristan Harvey Ulla Hornsyld Viktoria Millentrup Xingyue Huang Zuzanna Eugenia Montwill Ákos Márk Horváth Jean-Sébastien Pagnon Andreas Bak Cheng-Huang Lin Giulia Frittoli Sui King Yu Jenna Hukkinen Marcel Götz Jonas Rask Edward Durie AWARDSĭOGA-merket for Architecture and Design, 2023 All four production units are built with 21 m free-spanning, cross-laminated timber, creating flexible column free – space s. Along the color and wood factory, the sloping roofs are extended to form a pathway for visitors and staff to hike up and down the building while observing the production processes inside. Inside the factories, each wing has one alternating ceiling corner lifted to create inclined roofs that allow views into the production halls as well as the forest outside. Exploring The Plus feels like moving through an archipelago of colorful islands where the experience and overview of the factory’s activities are unified. Like a flowchart, the entire interior is organized with the color of each machine overflowing to the floors. The layout enables an efficient, flexible, and transparent workflow between the manufacturing units and an intuitive visitor experience. “Following years of painstaking conservation work, the clock hands, now resplendent in their original Victorian color scheme, will be added to the clock dials, with the restored mechanism returning to the Tower later in the year,” UK Parliament authorities said in April.The Plus is conceived as a radial array of four main production halls – a warehouse, color factory, wood factory, and the assembly – that connect at the center and generate the ‘plus’ shape at its intersection. It’s currently been out of commission for the longest period in its entire history. The clock tower, which is 177 years old, has cost $111 million to restore thus far. The discovery that Big Ben’s clock hands were blue, and not back, was made halfway through the restoration. The restoration is expected to be completed in its entirety in 2022, at which point Big Ben’s clock will actually chime and function again. BEN STANSALL/AFP via Getty Imagesīig Ben, the iconic clock tower that’s defined the London skyline for generations, has been under construction and largely out of commission since 2017 now, however, new reports are revealing that the original hands on the clock have been restored, and that they’ve been revealed to be a striking shade of Prussian blue. Big Ben at the Palace of Westminster in central London on September 6th, 2021.
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